John, George, Ringo, and… Faul?
Without a doubt, the most
controversial conspiracy surrounding the Beatles is the theory that the real
Paul McCartney actually died in 1966 and was replaced by an imposter
look-alike. Though at first the idea seems ridiculous and impossible, the fact
that avid conspiracy believers have dedicated so much of their lives to proving
the “evidence,” and have gone so far to fill all the gaps with supposedly
credible information, can make even the most die-hard Beatle worshipper second
guess the true identity of the beloved Paul McCartney. After taking all of the
following information into consideration, the truth will be up to you to
decide.
The Last Testament of George Harrison
According to the documentary, “The
Real Paul McCartney is dead,” on July 1, 2005, Highway 61 Entertainment in
Hollywood, California received an unsolicited package by mail with no return
address. The package, postmarked in London, England, contained a mini cassette
player with two mini cassette tapes. These tapes were labeled, “The Last
Testament of George Harrison.” Apparently the voice on the recording had been
examined by three different labs and has not been verified as Harrison’s real
voice. The content of the tapes, however, have lead some to believe that they
are an authentic confession detailing the tragedy and concealment of the real
Paul McCartney’s Death, and the false continuation of his legacy.
A Well-Kept Secret
The
Liverpool-accented voice on the tapes alleges to be George Harrison in the hospital.
The voice claims that years earlier, he received a call from John, who told
George he was going to go public with the truth about Paul. Eight days later,
John was killed. The voice also claims that two weeks prior to the recording,
George confided in the living Paul McCartney-in-question that he was going to
reveal the truth about the “real Paul’s” death. He says that it was because of
this that a man then broke into George Harrison’s home and stabbed him in the
chest with a knife.
The Story
The
recorded voice then relays the details of a horrible accident, the alleged
death of Paul McCartney. This is the story.
On November 9, 1966, the fab four were at
Abbey Road recording studios at a late night recording session that began
around midnight. There was tension between John and Paul, who where arguing
over the lyrics to a song. It was about 5am when, in the heat of the argument,
Paul left the studio in his Austin Healy. It was pouring rain. On the way home,
Paul saw a girl, Rita, walking on the side of the road in the rain. He offered
her a ride and when she realized who he was, she went into a hysterical frenzy,
hugging and grabbing him, causing him to lose control of the vehicle, which
flipped and crashed. Rita was able to escape from the vehicle to get help, and
when she did, the vehicle exploded, leaving Paul’s body decapitated. At about 6
am when the other three Beatles were leaving Abbey Road, they were stopped by a
marked black van and were told by the officer, Maxwell, that there had been a terrible
accident involving Paul McCartney. Maxwell took the John, George, and Ringo to
MI5 British intelligence and asked them to identify Paul’s remains. The
accident had left Paul’s body mangled. He was missing an eye and had lost his
teeth except for two protruding from his gums. For this, Maxwell said, “he kind
of looks like a walrus, doesn’t he?” and in an outrage, John began to hit him
and repeatedly yell “No, I am the walrus! Not him! I am the walrus!”
Maxwell then took the distressed
three to an MI5 safe house and after hours of deliberation, the government had
concluded that if Paul’s death went public, “a rash of suicides would likely
follow,” and therefore, his death must be kept a secret in order to prevent his
death from becoming even more of a catastrophe. Upon making that decision, John
realized that he had about fifty songs in the works that he could finish and
produce to keep the Beatles’ career going. The next step would be to replace
Paul with a look-alike, perfected by MI5’s own plastic surgeons. The next day,
the Beatles announced that they would no longer tour, but work from the
recording studio in order to buy themselves time for “False Paul’s” complete
transformation. At that time, “Tiger Beats” magazine held a look-alike contest
for Paul. To the public, the reason for the contest seemed to be innocent fun,
but it’s true purpose was to find Paul’s replacement. The winner was never
announced, but taken to MI5 to begin the transformation. His name was William
Campbell. Excited for the opportunity to covet the identity of the world famous
Paul McCartney, Campbell began to undergo reconstructive operations of the
chin, lips, nose, ears, and eyebrows. He took speech therapy to perfect the
Liverpool accent, and John nicknamed him “Faul” for “False Paul.”
Some of the “Evidence” and Other Allegations
The
Beatles’ company “Apple Corporation” is in reference to the name “A Paul
Corporation,” as a tribute to the dead Paul.
Ringo called the false Paul “Rubber
Paul” which inspired the name of the album “Rubber Soul.” The photo on the
cover of the album was taken with a distorted lense to conceal the facial
differences between the transforming Faul and the real Paul. The “moptop”
haircut here was meant to cover the scars from plastic surgery
The album, “The Revolver,” was
named for the symbolic revolving door through which Paul left and Faul entered.
The cover was drawn because Faul had recently underdone more cosmetic surgery,
and the small character pictured inside Paul’s ear was meant to signal to fans
to listen for clues in the music that would suggest Paul’s death.
The song, “Eleanor Rigby,”
references Paul’s secret funeral, which only Paul’s parents, John, George, and
Ringo attended. “Father McKenzie” is meant to signify Paul’s father, “father
McCartney,” without being too obvious.
"Father McKenzie, writing the words of a sermon that no one will hear/ no one comes near"
The original album for “Yesterday
and Today” was a photo of the four posing with raw meat and naked baby dolls on
Faul’s shoulder’s, which referenced the gruesome death of the real Paul. Maybe
too suggestive for MI5’s liking, the album cover was changed to a simpler photo
of the four of them, but with Faul in a suitcase, which represented a coffin.
There, a scar can be seen on Faul’s upper lip.
The cover of “Sergeant Pepper’s
Lonely Heart’s Club Band” depicts a funeral scene, with freshly dug-up Earth,
representing the burial of their band mate. All the people depicted in the crowd are people Paul would have wanted at his funeral, and they all were either
dead, had had near death experiences, or had portrayed death.
To the right of the cover sits a
doll with a toy Austin Healy (Paul’s car) and a bloody driver’s glove,
referencing the accident that killed Paul.
When a mirror is placed on the
drumhead it reads, “I ONE IX HE DIE,” or “1 one nine he die” for the date of his
death on 11/9.
On the back of the album, Faul is
the only one facing away. The lyrics, “without you” are right above his head,
and George’s photo points to the lyrics, “Wednesday morning at 5 o’clock,” the
time when Paul died.
The lyrics of the song, “Glass
Onion,” reference Paul’s appearance the last time they saw him.
“and here’s another clue for you
all/ The walrus was Paul.”
John Lennon recorded backwards
lyrics (back masking) as clues onto different songs on “The White Album.” In
the song, “I’m so tired,” are the words “Paul is dead, man. Miss him. Miss
Him.” In “Revolution 9” is a voice that says, “Turn me on, dead man.”
On the cover of “Let it Be,” Faul
is the only one featured in front of a colored background---blood red.
The “Abbey Road” cover depicts the
four Beatles dressed for a funeral. Faul is in a suit and shoeless, the way the
dead were traditionally buried in England. John wore white to depict the
preacher, Ringo wore black to depict the undertaker, and George wore blue jeans
and a work shirt to depict the gravedigger. Faul is also shown out of stride
with the other Beatles and with a cigarette in his right hand, though Paul was
left-handed.
You Decide for Yourself
Here an avid believer of this conspiracy analyzes what he claims to be distinct facial differences between Paul and Faul. According to this website, it is impossible that they are the same person. What does this "evidence" mean to you?
How can Rubber Soul (winter 1965) and Revolver (Summer 1966) be influenced by events that possibly took place in November 1966??? Ditto the "butcher" cover.
ReplyDeleteI'll happily concur with all the gorgeous and juicy "Pepper and onwards" artefacts...
I was 12 when my dad bought MMT on CD in 1987... And aware of the PID theories from a book I had read, I felt that this was NOT the same band from pre 1967. Darker songs, not the bouncy and eager Fab Four. I know we all grow up... But...
I only noticed the other day this too: "you've let your face grow long"...
The Rubber Soul album was released (12/6/1965) before Paul died (Date of death 11/9/1966?) as was Yesterday and today (6/20/1965) Revolver (8/8/1966).
ReplyDeleteIs this Date of death carved in stone? (pardon the pun)